390 ppm. Altered planet, climate change in Mexico

Permanent Exhibition Hall
Expo Park Bicentennial
Silao, Guanajuato, 2010

Design and development of the executive 

museographic project.
Production coordination.
Installation supervision.

Mexico Pavilion at the world expo in Shanghai

Permanent exhibition hall
ProMéxico
Shanghai, China
2009–2010

Development and design of the executive museographic project for the pavilion’s exhibition halls.
Coordination and supervision of installation and dismantling.

GMMMM

Permanent Exhibition Hall
Great Museum of the Maya World, Mérida. SEDECULTA / INAH
Mérida, Yucatán, 2012

Design and coordination of the executive museographic project.
Production coordination.
Installation supervision and coordination.

SOMA Contemporary Art Auction
SOMA
Mexico City, 2013, 2014, 2015, 2016

Design and development of the exhibition project, supervision, and installation.

Kerámika,

divine matter of ancient Greece,
Collection of the Louvre Museum

Temporary Exhibition
National Museum of Anthropology, INAH, 

Mexico City, 2013
Santo Domingo Cultural Center, 

Oaxaca, Mexico, 2014

Design and coordination of the executive museographic project.
Production coordination.
Installation supervision.

Carlos Pellicer Cámara Regional Museum of Anthropology

Permanent Exhibition Hall
State Institute of Culture of Tabasco
Villahermosa, Tabasco, 2015

Design and development of the museographic project for the restructuring of the permanent exhibition halls.
Production coordination and installation supervision for the first phase.

Introductory hall of the Tobacco and Salt Museum

Permanent Gallery
Tokyo, Japan, 2014

Design and project development for the reconstruction of the architectural and decorative elements of the Sanctuary of the Temple of the Cross in Palenque, Chiapas.

Production coordination and installation supervision.

Paths of light, Huichol Universes

Temporary Exhibition
National Museum of Anthropology, INAH
Mexico City, 2016

Design and development of the executive museographic project.
Production coordination.
Installation supervision and coordination.

Mayas, the language of Beauty. Crossed perspectives

Temporary Exhibition
National Museum of Anthropology, INAH
Mexico City, 2017

Design and development of the executive museographic project.
Production coordination.
Installation supervision.

Mexico City in art, an eight-century journey

Temporary Exhibition
Museum of Mexico City
Mexico City Department of Culture
Mexico City, 2017

Design and development of the executive museographic project.
Production coordination.
Installation supervision and coordination.

Xochipilli,
the lord of the flowers

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Temporary Exhibition
National Museum of Anthropology, INAH
Mexico City, 2018

Design and development of the executive museographic project.
Production coordination.
Installation supervision.

The Footprints of Buddha
Collections of the Los Angeles County Museum of Art and the Metropolitan Museum of New York

Temporary Exhibition
National Museum of Anthropology, INAH
Mexico City, 2018

Design and development of the executive museographic project.
Production coordination.
Installation supervision.

Beauty and Virtue, Classical Collecting in England, 18th Century
Collections of the National Museums Liverpool and the British Museum

Temporary Exhibition
National Museum of Anthropology, INAH
Mexico City, 2018

Design and development of the museographic project.
Production and installation supervision.

Gestures and Objects, design and rituality

Temporary Exhibition
Zapopan Museum of Art
Zapopan, Jalisco, 2024

From manners to table forms

This curatorial exercise reflects on the connection between table manners and the form of cutlery. As the result of research into cutlery and table codes, a selection of pieces and objects was assembled to illustrate the evolution of the knife, spoon, and fork in the modern era, and their relationship to the table, diners, and civilizing processes.

Systemic map of cooking recipes

By applying systems thinking theories to the cooking recipe, various analyses were conducted to understand the links between processes, ingredients, instructions, context, and their implications within food system chains.

The Codes of Recipes

Cooking recipes are key representations of gastronomic culture, as they contain the information necessary to carry out actions that result in the preparation of a dish or culinary product.
A cooking recipe, like a musical score, contains a series of records and notations that must be interpreted and performed.

Codex of Local Ingredients

The Codex of Local Ingredients for Sustainable Recipes is an initiative that, through research protocols, analyzes local products, their ingredients, and the different actors involved in production processes, with the aim of generating outreach materials to promote responsible local consumption and to create a general catalog of local products, ingredients, and positive practices.

Cooking recipes as design artifacts

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The research approaches the cooking recipe from a design perspective. 

It is explained as a design artifact, and a model is proposed to identify and facilitate design and redesign processes based on its relationship with the user, objects, context, and its usefulness as a tool for culinary design and development.

The last drop of saffron

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Through collaboration with Zafferano del Cardinale and la Scuola Politecnica di Design, the qualities of saffron in amorphous forms (foams, gels, and jellies) were analyzed and explored, with the aim of developing a collection of tools capable of bringing clients closer to this spice through unique and innovative culinary and sensory experiences.

The cooking recipe hacker's toolkit

This toolkit is a design system that explains the cooking recipe as a design artifact and provides the user, or “hacker,” with theoretical tools to redesign and adapt cooking recipes in order to promote positive changes in our food preparation practices and consumption habits.

The taste of  future Europe

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The province of Gelderland hosted the 50th Annual Meeting of the Association of European Border Regions. Katja Gruijters was invited to design a gastronomic experience based on the ingredients, rituals, and traditions of seven European border regions.

Espumas de cacao

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Espumas de cacao is a gastronomic experience that, in the form of a temporary bar, revives the cultural, organoleptic, and chemical properties of cacao foams used as toppings in beverages of pre-Hispanic origin. These drinks are made with cacao, grains, seeds, flowers, and herbs and remain traditional in several communities in Oaxaca, in southern Mexico.

Eat with them

A tasting dinner in which moles, sweets, flowers, copals, spirits, fruits, vegetables, chocolates, and seeds are fundamental to an experience that references pre-Hispanic thought—one that connects the intangible and the supernatural, and was associated with volatility and the refinement of aromas, as these elements were considered a link to the gods and ancestors.

The first edition of Tectonics of Eating

Assemblages of fictions 

It revisits the construction of fictional narratives around objects and artifacts in order to create metafictions about ingredients, recipes, and their preparations, as well as the assemblage of living materials that breathe, contract, possess smells and textures, and also age and degrade—as in the case of wood and food—thus promoting the creation of edible objects through assemblages of fictions.

Rain tables

Rain Tables encourage reflection on the connection between ingredients, cuisine, and landscape during the rainy season in Oaxaca through sensory installations and a tasting menu, designed based on recipes and consumption habits characteristic of these months of abundance.

Ornaments of flavor

It reflects on the value—both real and symbolic—of local and endemic ingredients and their intrinsic relationship with soil and territory. 

The experience, articulated through recipes inspired by Oaxacan gastronomy and through gestures and objects that allude to table rituals, revisits the meanings of jewelry and ornamentation in order, through their codes and material devices, to promote a renewed appreciation of food from a perspective that highlights its vital, cultural, territorial, and spiritual importance.

Archetypal Speakeasy

A walking dinner that, through four future scenarios of Oaxacan cuisine—developed from the recognition and analysis of patterns and signals of change derived from the findings of the last three years of research within the Mesatemporal project—explores the different possibilities of cultural practices surrounding food.

Samaritana tables

Every fifth Friday of Lent, in Oaxaca flavored waters are given away in homes, businesses, and under porticos. This colonial-era tradition blends elements of Catholic faith with local culture. Historically, these “refreshments” represented moments of pause and socialization, and Oaxaca’s aguas frescas reflect the region’s fruit diversity and seasonality. Traditional recipes include rice horchata, tamarind, and hibiscus, which can be enriched with chopped fruit and spices.

The life of seeds

A dinner in which, over seven courses, the cycle of seeds is narrated from pollination to their transformation through natural or artificial means.

In this tasting, each dish alludes to one of the stages in the life of seeds through recipes typical of the dry season, in which seeds are the predominant ingredient, aiming to recover the bond with our food and its origins through ingredients, gestures, and utensils.

Treasures of the Milpa

Treasures of the Milpa was a project developed in collaboration with @entekio, with the support of the German Technical Cooperation (@GIZ) and the Secretariat for Agrifood Strengthening and Rural Development. Its objective was to create a shared space that would connect processors, marketers, and distributors with diverse native maize producers from different regions of Oaxaca. 

Smell, eat and drink 

It is a sensory and educational experience designed to promote conscious and reflective consumption through the interaction between smell and taste. Using a series of utensils created for this purpose, participants exercise their olfactory abilities and enrich their personal library of scents and correlations, with special attention to retronasal olfaction and its impact on flavor perception, using a selection of harmonies, endemic Mexican ingredients, and local beverages.

The table on the comal

The Table on the Comal is an installation that rethinks the traditional scheme of the table as a support for food consumption, reinforcing its relationship with the devices or utensils used for the transformation and preparation of food, such as the comal. These two objects, which share a close relationship, have lost their connection in contemporary times due to the reconfiguration of domestic space and the introduction of alternative versions, such as the frying pan and the metal comal.